william hazlitt

Characters of Shakespeare's Plays

First published 1817
i
Introduction
William Hazlitt (1778–1830) came of an Irish Protestant stock, and of a branch of it transplanted in the reign of George I from the county…
ii
Preface
It is observed by Mr. Pope, that ‘If ever any author deserved the name of an original, it was Shakespeare. Homer himself drew not his art…
iii
Cymbeline
Cymbeline is one of the most delightful of Shakespeare’s historical plays. It may be considered as a dramatic romance, in which the most…
iv
Macbeth
Macbeth and Lear, Othello and Hamlet, are usually reckoned Shakespeare’s four principal tragedies. Lear stands first for the profound…
v
Julius Casesar
Julius Caesar was one of three principal plays by different authors, pitched upon by the celebrated Earl of Halifax to be brought out in a…
vi
Othello
It has been said that tragedy purifies the affections by terror and pity. That is, it substitutes imaginary sympathy for mere selfishness.…
vii
Timon of Athens
Timon of Athens always appeared to us to be written with as intense a feeling of his subject as any one play of Shakespeare. It is one of…
viii
Coriolanus
Shakespeare has in this play shown himself well versed in history and state affairs. Coriolanus is a storehouse of political commonplaces.…
ix
Troilus and Cressida
This is one of the most loose and desultory of our author’s plays: it rambles on just as it happens, but it overtakes, together with some…
x
Antony and Cleopatra
This is a very noble play. Though not in the first class of Shakespeare’s productions, it stands next to them, and is, we think, the finest…
xi
Hamlet
This is that Hamlet the Dane, whom we read of in our youth, and whom we seem almost to remember in our after-years; he who made that famous…
xii
The Tempest
There can be little doubt that Shakespeare was the most universal genius that ever lived. ‘Either for tragedy, comedy, history, pastoral,…
xiii
The Midsummer Night’s Dream
Bottom the Weaver is a character that has not had justice done him. He is the most romantic of mechanics. And what a list of companions he…
xiv
Romeo and Juliet
Romeo and Juliet is the only tragedy which Shakespeare has written entirely on a love-story. It is supposed to have been his first play,…
xv
Lear
We wish that we could pass this play over, and say nothing about it. All that we can say must fall far short of the subject; or even of…
xvi
Richard II
Richard II is a play little known compared with Richard III, which last is a play that every unfledged candidate for theatrical fame…
xvii
Henry IV: In Two Parts
If Shakespeare’s fondness for the ludicrous sometimes led to faults in his tragedies (which was not often the case), he has made us amends…
xviii
Henry V
Henry V is a very favourite monarch with the English nation, and he appears to have been also a favourite with Shakespeare, who labours…
xix
Henry VI: In Three Parts
During the time of the civil wars of York and Lancaster, England was a perfect bear-garden, and Shakespeare has given us a very lively…
xx
Richard III
Richard III may be considered as properly a stageplay: it belongs to the theatre, rather than to the closet. We shall therefore criticize…
xxi
Henry VIII
This play contains little action or violence of passion, yet it has considerable interest of a more mild and thoughtful cast, and some of…
xxii
King John
King John is the last of the historical plays we shall have to speak of; and we are not sorry that it is. If we are to indulge our…
xxiii
Twelfth Night, or What You Will
This is justly considered as one of the most delightful of Shakespeare’s comedies. It is full of sweetness and pleasantry. It is perhaps…
xxiv
The Two Gentlemen of Verona
This is little more than the first outlines of a comedy loosely sketched in. It is the story of a novel dramatized with very little labour…
xxv
The Merchant of Venice
This is a play that in spite of the change of manners and of prejudices still holds undisputed possession of the stage. Shakespeare’s…
xxvi
The Winter's Tale
We wonder that Mr. Pope should have entertained doubts of the genuineness of this play. He was, we suppose, shocked (as a certain critic…
xxvii
All's Well That Ends Well
All’s Well that Ends Well is one of the most pleasing of our author’s comedies. The interest is, however, more of a serious than of a comic…
xxviii
Love's Labour's Lost
If we were to part with any of the author’s comedies, it should be this. Yet we should be loth to part with Don Adriano de Armado, that…
xxix
Much Ado About Nothing
This admirable comedy used to be frequently acted till of late years. Mr. Garrick’s Benedick was one of his most celebrated characters; and…
xxx
As You Like It
Shakespeare has here converted the forest of Arden into another Arcadia, where they ‘fleet the time carelessly, as they did in the golden…
xxxi
The Taming of the Shrew
The Taming of the Shrew is almost the only one of Shakespeare’s comedies that has a regular plot, and downright moral. It is full of…
xxxii
Measure for Measure
This is a play as full of genius as it is of wisdom. Yet there is an original sin in the nature of the subject, which prevents us from…
xxxiii
Merry Wives of Windsor
The Merry Wives of Windsor is no doubt a very amusing play, with a great deal of humour, character, and nature in it: but we should have…
xxxiv
The Comedy of Errors
This comedy is taken very much from the Menaechmi of Plautus, and is not an improvement on it. Shakespeare appears to have bestowed no…
xxxv
Doubtful Plays of Shakespeare
We shall give for the satisfaction of the reader what the celebrated German critic, Schlegel, says on this subject, and then add a very few…
xxxvi
Poems and Sonnets
Our idolatry of Shakespeare (not to say our admiration) ceases with his plays. In his other productions he was a mere author, though not a…